嘉人 塞尔维亚 五月生日特刊

marie claire Serbia May Special Birthday Cover

有些人的表达像白昼，直接而清晰；也有人更习惯在光影交替之间，慢慢展开自己的世界。演员与歌手，两种身份在张哲瀚身上并不是截然分开的存在。镜头前，他通过角色进入不同的人生与情境，在空间与故事之中沉淀情绪；音乐里，他又用旋律与声音回应内心，让情感在节奏与光影之间缓慢流动。

如果说表演是一种对世界的观察，那么音乐更像是对自我的回声。两种创作方式彼此交织，在不同的时间维度里，逐渐延展出属于他的表达轨迹。

月｜在创作中寻找坐标

在很多人的印象里，文艺创作者往往安静、克制，甚至略带距离感。但在张哲瀚身上，另一种向外延展的能量同样清晰。他会沉下心阅读与写作，也会背起相机、骑上单车，用脚步与车轮丈量山川与城市。从香格里拉骑行至拉萨的这段旅程，被他用镜头定格，化作纪录片《八月》（2024）。思想在文字里沉淀，身体在行走中保持敏锐，一静一动、一内一外，共同构成了他最真实的生活底色。很多人习惯用“矛盾”定义这样的状态。但更准确的理解是：他本就不必被单一标签概括。多种气质共存、多重面向生长，本就是一个创作者最鲜活的模样。

星｜在镜像中观察自我

张哲瀚的音乐创作，并不是突然出现的转折，而更像一条缓慢展开的轨迹。

音乐专辑《拾荒者（Scavenger）》（2024）将视线投向更远的精神旷野。整张作品带着沉静的废墟气质，荒凉、遗落与古典意象交织其中。

那些被时间遗落的碎片，在音乐里被一一拾起。不为构建一个完整无缺的世界，只愿在破碎之中寻得意义，于荒芜之间留下微光。

如果说《拾荒者》是一场向外的精神拾穗，那么后来的音乐三部曲《三镜谕（Kaleidoscope）》（2025），则更像是一次向内的自我提问。他以“镜像”为意象展开叙事，外界的目光、他人的期待，以及被不断放大的公众形象，都在镜面中形成层层叠叠的倒影。三首作品像三面不同的镜子，映照着被观看、被投射的自己，也呈现出他试图重新理解自我的过程。最近，他也在个人社交平台上分享了正在推进的影视项目。从音乐到影像，不同的表达方式仍在继续延展。

夜｜回到生活的节奏

如果说创作让人向内探索，那么运动与旅行，则让生活保持向外的张力。

网球、滑雪、骑行，这些兴趣在时间的积累里逐渐形成一种稳定的节奏。球场上的挥拍、雪道上的速度、旅途中的风景，都成为与世界保持联系的方式。

这种来自身体的能量，也自然延伸到他的时尚表达之中。无论是偏运动感的造型，还是更具艺术气息的风格，他往往更关注一种状态——舒展、松弛，同时保持力量。在这样的节奏里，时尚不再只是外在形象，而更像是一种生活方式的延伸。

朝｜继续向前的方向

经历过向内的探索，也走过向外的远行之后，张哲瀚对未来的期待反而变得简单。阅读、运动、学习语言，这些看似普通的日常，在时间里逐渐形成稳定的生活秩序，也让创作不再只是偶然降临的灵感，而成为一种可以持续积累的过程。

谈及未来，他更在意的词是“温暖”。在不断变化的环境里，比起宏大的目标，他更相信人与人之间真实而具体的连接。舞台与生活之间，也许并没有想象中那么遥远。光影落下之后，依然是同一个人继续前行。夜会过去，而清晨总会到来。

时间仍在继续流动。对张哲瀚而言，创作从来不是某个阶段的终点，而是一条仍在延展的路径。演员与歌手两种身份在不同媒介之间相互回应，也在生活与世界之间不断生长。从星辰到月夜，再到朝霞升起，每一次表达都像时间里的一个坐标。同时5月也是张哲瀚的生日，新的故事仍在展开，而他依旧在自己的节奏里，向前行走，向更广阔的天地延伸。

Some people speak like daylight—direct, bright, and unmistakably clear. Others prefer to unfold their inner world in the shifting space between light and shadow. For Zhang Zhehan, the identities of actor and singer are not separate territories, but two expressions of the same path. Before the camera, he steps into different lives and circumstances through his roles, letting emotions settle within space and story. In music, he responds to his inner world through melody and voice, allowing feeling to move slowly between rhythm and light.

If acting is a way of observing the world, then music feels more like an echo of the self. These two forms of creation intertwine across time, gradually tracing the contours of his own artistic trajectory.

Moon  | Finding Coordinates in Creation

In many people’s imagination, artists tend to be quiet, restrained, even slightly distant. Yet in Zhang Zhehan, there is also a clear outward-moving energy. He can sit still for hours reading or writing, but he can just as easily sling a camera over his shoulder, get on a bicycle, and measure mountains and cities with his own steps. His cycling journey from Shangri-La to Lasa became the documentary August (2024), captured through his own lens. Thoughts settle in words, while the body stays alert through

movement—stillness and motion, inward and outward, together forming the truest texture of his daily life. Many would call this a contradiction. But perhaps a better understanding is that he was never meant to be defined by a single label. Multiple temperaments, multiple directions of growth —this is simply what a creator looks like at their most alive.

Stars | Observing the Self Through Mirrors

Zhang Zhehan’s music did not appear as a sudden turn, but as a path slowly unfolding. His album Scavenger (2024) looks toward a wider spiritual wilderness. The work carries a quiet, ruin-like atmosphere—desolation, fragments, and classical imagery woven together. Pieces left behind by time are picked up one by one, not to rebuild a flawless world, but to search for meaning within brokenness, to leave a faint glimmer in the barren landscape.

If Scavenger was a gathering of fragments from the outside world, the later musical trilogy Kaleidoscope (2025) feels more like a series of questions turned inward. Using the idea of mirrors as its central image, the project reflects the gaze of others, the weight of expectations, and the magnified figure of the public self. Each song turns into a different mirror, showing the self that is watched, projected, and re-interpreted, while also recording his attempt to understand

himself again. Recently, he has also shared updates about new film and television projects in development on his personal platforms. From music to moving images, his forms of expression continue to expand.

Night | Returning to the Rhythm of Life

If creation turns one inward, then sports and travel keep life open to the world. Tennis, skiing, cycling—over time, these interests have formed a steady rhythm. The swing of a racket, the speed of a downhill run, the scenery along the road all become ways of staying connected to the world beyond himself.

This physical energy naturally extends into his sense of style. Whether it leans toward athletic silhouettes or something more artistic, what he values most is a certain state of being—relaxed, open, yet grounded with strength. In this rhythm, fashion is no longer just appearance, but an extension of the way he lives.

Dawn | Continuing Forward

After both inward exploration and outward journeys, Zhang Zhehan’s expectations for the future have become surprisingly simple. Reading, exercise, language study—these ordinary routines gradually build a stable order in life, allowing creativity to become less about sudden inspiration and more about steady accumulation.

When speaking about the future, the word he returns to most is warmth. In a world that changes constantly, he believes less in grand ambitions and more in real, tangible connections between people. Perhaps the distance between stage and everyday life is not as great as we imagine. When the lights fade, it is still the same person walking forward. Night will pass, and morning will always arrive.

Time continues to move. For Zhang Zhehan, creation has never been an endpoint, but a path still unfolding. Actor and singer answer each other across different mediums, growing between life and the world. From stars to moonlight to dawn, every expression becomes a coordinate in time. Meanwhile, May is also Zhang Zhehan’s birthday.New stories are still opening, and he continues forward at his own pace, toward a wider horizon.

marie claire: 今日拍摄感受

张哲瀚：第一套有那个露背的和敞开式的服装，我觉得也是一次非常大胆的尝试。第二套是在那个像屏风一样的置景里，再放在格子里，有一种挣扎感在里面。

marie claire: 2026年的三样最能代表当下自己的单品？

张哲瀚：一个是网球拍，一个是麦克风，还有一个是camera摄影机。我觉得是代表着我所热爱、我所工作、我所擅长的一些东西。

marie claire: 你认为外表的穿搭在多大程度上定义了我们自身呢？

张哲瀚：第一印象非常重要，而且很多缘分、很多人可能就是萍水相逢，见过第一次面，他就记住你了。

marie claire: 穿搭会随着现下的创作阶段或心境变化吗？

张哲瀚：一定会的，就像每个人每天早上起来的心情也是不一样的。

marie claire: 是否愿意在造型或者创作中保留自己的不完美与脆弱感？

张哲瀚：之前看到一个华人导演说，他想通过电影表达，其实我们都不是完美的，我们都有自己内心脆弱的角角落落。真正的勇敢、真正的无畏，是你勇于正视自己的不足，勇于正视自己的敏感和脆弱，把这些东西表达出来。不管是让别人看见，还是先让自我看见，我觉得这是真正的勇敢。

marie claire: 你认为文学作品对你创作音乐和影视作品有什么帮助吗？

张哲瀚：通过语言的魅力去更多地抓取一些灵感吧。很多时候我认为文字还是有一种更加踏实的力量。

marie claire: 透露一下接下来的工作计划吗？

张哲瀚：发了三张专辑和一张EP，现在也在聊第四张专辑应该做些什么，也在探讨新的剧本，我应该以一种什么方式表达，怎么去做新的影视剧部分。

marie claire: 未来有没有想解锁的新身份？

张哲瀚：其实人的精力非常有限，能选择几样把它们做好就非常好了。就像运动当中，我觉得把网球打好、把滑雪滑好，对我来说就足够了。因为时间分配和工作分配的关系，我可能只能够兼顾这两项。

marie claire: 有什么事情是你无论多忙都会去做的？

张哲瀚：打网球算一个吧，不管什么情况，我都会挤出时间去打网球。还有就是在旅途当中有一本书陪伴你，可能就不会觉得那么孤单。还有一个是日常学习英语，我觉得也是自己能够坚持下来的一个不错的习惯。

marie claire: 用一个词来定义你对新一年的期待？

张哲瀚：现在这个时代经历了很多风风雨雨，人和人之间可能会疏远，或者有很多猜疑、很多不确定。在这样的背景下面，包括AI时代的冲击，我觉得人与人之间最关键的词是“温暖”。我跟大家说，我们一定要尽量去温暖别人。

marie claire: 对你来说粉丝更像是朋友、同行者还是见证者？

张哲瀚：我觉得粉丝像伙伴，像并肩一起前行的队友，也像是一个不会错过你任何细节的朋友。

marie claire: 如果能和大家做一个长期的持续对话，你最想和大家聊的主题是什么？

张哲瀚：给大家分享一些我个人的人生经历，包括上学的感受，还有每次创作的环境、创作的一些想法，或者取得了一些什么样的成绩，有什么特别的想法，都跟大家分享。

marie claire: 希望给大家留下一个什么样的印象？

张哲瀚：我不喜欢给自己贴什么标签。拍杂志的时候是我，在台上的时候是我，私底下邋邋遢遢的也是我。我更多希望大家看到真实的我。我不会害怕展现自己可能邋遢的一面，没有收拾的一面，或者随意的一面。我不是每次出现都是光鲜亮丽的。就像短视频一样，好像每次出现都会让人产生一种错觉。我更希望大家能看到有时候真实的我，我觉得那也是非常重要的。

marie claire: How did today’s shoot feel?

Zhang Zhehan: The first look—with the open back and the looser styling—felt like a very bold attempt for me. The second setup, with the screen-like backdrop and the grid framing, had a sense of tension in it, almost like being held inside something.

marie claire: Which three items best represent who you are right now in 2026?

Zhang Zhehan: A tennis racket, a microphone, and a camera. They represent what I love, what I work at, and what I’m good at.

marie claire: How much do you think clothing defines who we are?

Zhang Zhehan: First impressions matter a lot. Sometimes you meet someone only once, but that first look is what they remember.

marie claire: Does your style change with your creative phase or mood?

Zhang Zhehan: Definitely. Just like how you wake up feeling different every morning.

marie claire: Are you willing to keep imperfection and vulnerability in your work or styling?

Zhang Zhehan: I once heard a Chinese director say that through film he wanted to show that none of us are perfect—that everyone has fragile corners inside. Real courage isn’t pretending those don’t exist. It’s being willing to face your flaws, your sensitivity, your vulnerability, and express them. Whether others see it or you see it first, that’s what real courage is.

marie claire: Do literary works help your music and acting?

Zhang Zhehan: Language has a unique power to capture inspiration. Words often feel more grounded to me—they give ideas a kind of solidity.

marie claire: Can you share anything about upcoming plans?

Zhang Zhehan: I’ve released three albums and one EP, and I’m discussing what the fourth album should be. I’m also looking at new scripts, thinking about what kind of expression I want next, and how to approach new film and television work.

marie claire: Any new identity you want to unlock in the future?

Zhang Zhehan: Our energy is limited. Being able to choose a few things and do them well is already enough. Even with sports, if I can play tennis well and ski well, that’s enough for me. Because of time and work, those are probably the two I can really focus on.

marie claire: What will you always make time for no matter how busy you are?

Zhang Zhehan: Tennis, definitely. No matter what, I’ll find time to play. And when I travel, having a book with me makes me feel less alone. Also studying English every day—that’s a habit I’ve managed to keep.

marie claire: One word for your hopes for the new year?

Zhang Zhehan: Warmth. We’ve gone through a lot in this era. People can grow distant, there’s doubt, uncertainty, and even the impact of the AI age. In times like this, the most important thing between people is warmth. We should try our best to give that to each other.

marie claire: Are fans more like friends, companions, or witnesses to you?

Zhang Zhehan: I see them as partners—teammates walking forward together, and friends who never miss a detail about you.

marie claire: If you could keep a long-term conversation with everyone, what would you want to talk about?

Zhang Zhehan: I’d share my life experiences—what school felt like, the environment behind each project, the ideas during creation, what I’ve achieved, what I’ve learned. Just sharing honestly.

marie claire: What impression do you hope to leave?

Zhang Zhehan: I don’t like labeling myself. The person in a magazine shoot is me, the person on stage is me, and the messy version at home is also me. I want people to see the real me. I’m not afraid to show the unpolished side, the casual side. I’m not always going to appear perfect. Sometimes short videos create the illusion that someone is always flawless. I hope people can also see the ordinary, real moments that matter too.

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